Israel film: a little-known treasure

Of a country such as Israel, with a successful filmography, little know. To Al to talk about the seventh art in Tel Aviv are Mint those tapes as "Beaufort" or "Lebanon", have been distinguished in the most important international festivals, or co-productions with other major European cinematographies as France.

To the Dominican Republic not hear of his actors, of the national fervor and acclaim for their enjoyment of its awards, their major Festival (Jerusalem) and the thematic of amplitude his arguments.

To start of the 1990s, Israeli cinema has grown along with the society and its critical gaze has become a true reflection of the problems of a country with a high degree of development is not as sometimes this draw who adversan him. That nothing complacent look and bearer of a humanism without limits has been to the big screen under criteria very professionals.

The virtues of u000aThis film and that they make it different from others is relationship forward the argument al, the simplicity of its staging, the delivery of its actors, music and soundtrack. Every Israeli movie is built on an argument that impacts.

Its staging is precise and rhythmic. His speech takes place without intellectual traumas which diverted the attention of the Viewer. Actors demonstrate thorough professionalism and as a backdrop, it draws on music that fascinates, along with a soundtrack full of mysterious emotion.

In this installment we will arrive at el cine de Israel through four tapes that synthesize values pointed.

End of the world left this story
shook the halls where it was exhibited, both outside and inside Israel. The public still repeats his visionaje. In appearance, its linear theme, is discovered in a first reading. But it is not the case. His true background is linked to the home u000athe development of the Jewish State, in the 1960s, when occurred the flourishing of its economy, and with the opening of its borders to migration, seeking the "promised land".

Are in presence of a speech with eminent cultural, where everything occurs within a context artistic closed, without edges overblown or pretexts moralistic. The harshness of the life of the immigrant is presented in conceptual stridency that embrujan, thanks to a well selected epochal music and a soundtrack convinced of its role as mediator between drama and constancy photo.

The cast knows not overboard. It is a collective work where no one is second to no one and perhaps, only individual excellence is the angelic face of net Garty, who subjugates with his eyes color of nature and dazzles us with gestures and gestures.

Hate, racism, seduction, sexual freedom and human solidarity are some of the u000asub-plots which comes wrapped in very well edited levels and jump each other as the ball of the game of cricket between el local computer and el British professional and which will be the great opportunity of this small population to make themselves known.

Tab técnica:br country: Israel.
Año: 2004.
Duración: 110 minutes.
Director: Avi Nesher.
Sinopsis: in 1969, migrant of the India reach Israel in search of a life better.

Are established in a small town in the desert, inhabited by Moroccans. Problems arise when Hindus comprise their new home far from the mythical "West" and when, moreover, are involved in a cultural war with the North African

Bonjour Monsieur Shlomi are against a comedy with dramatic touches on the story of a young man "in the good sense of the word good," servant of his family.

This will take you to rethink your life u000afrom a human perspective. He is happy with what they do and not intend to take a decision on its future.

Full of hilarious sequences, unexpected twists and expressive simplicity, the film serves as history itself, as a lesson of filmmaking and the divertimento in reflecting on the easy of its plot. This conventional story, that the Cohen brothers should be applauded, contains significant cinematographic values. Its narrative sequence passes with serenity and acuity.

Bonjour Monsieur Shlomi
, is not a classic, or even an innovative film. It is a work that shines by its argument: the values of a teenager which conforms to overprotect to his family.

But here too there is cinema: the fluidity of its staging, writing his script, and the proper management of the sequences where the reflection of light plays a fundamental role with a camera that when he goes abroad, excels u000ain capturing the benefits of the worldview, the make unforgettable. The music contains the scores, sufficient to demonstrate their correct location at the right time to accompany the visual discourse. This cultural fresco comes to us thanks to a guideline hand that handles the camera quite fluent in closed spaces and sabe to transport the charisma of his characters. Zarhin them taught its players that humans interpret must be accepted as they stand. Contradictions, fears, resentments and unexpected blows are handled with category artist within this work, distant West. standards

Tab técnica:br country: Israel.
Año: 2003.
Duración: 94 minutes.
Director and guión: Shemi Zarhin.
Synopsis: A young person dealt with his entire family. One day, a routine review of mathematics makes a professor and the head of the school ask for its authentic u000apersonality.

Walk on water
here there is no a re-reading of the biblical parable. On the other hand, is a work marked in a non-conformist thematic context, which proposes an ode to friendship between Germans, Jews, Palestinians and homo and heterosexual, without requiring that they engage in relations promiscuas.

The genre of suspense is broken. El thriller goes by the directions of the drama. And the plot to assassinate a war criminal becomes a hymn to friendship. The director, one of the best known of Israel, brings erotic energy in the scenes in the where the two main characters are and explore the possibility of the emergence of streams of consciousness in the middle of a real friendship between the two, made that becomes the central theme of the film and puts in second place the Holocaust in World War II.

Sheet técnica:
dirección: Eytan Fox.
Script:GAL Uchovsky.
País: u000aIsrael. Year: 2004.
Length: 105 min.
Synopsis: an agent of the Israeli secret service entrusted to run to a nazi war criminal who lives abroad. Man El will contact their descendants to achieve its purpose, not to avoid that between him and Al's grandson his victim, emerges the friendship.

( )
Someone with who run
based on the bestseller of David Grossman (Jerusalem, 1954), the plot of this film brings us classic novel Oliver Twist by Charles Dickens, but in his case, set in the Jerusalem of the new millennium, where young people, strengths and weaknesses, seek to move forward. But don't think the reader which is a remake or a free version of the acclaimed novel. This is a different film, that surprises by its staging, for its simplicity and its narrative discourse. Drugs, music, love and hope are the elements that set this adventure film which received 12 u000anominations for the Academy Awards including best film, Best Director, best actress, best script and best music. Israeli

In addition, "Someone who run" is a love story where the fate of a group of talented young people is marked by elements corrupt.

These young people are those who lead us to the streets of Jerusalem filled with people who love, dream and try to pass the threshold of the time.

Have heart, emotion and desire to succeed: show clean aesthetics these contents is responsible for Davidoff with lucidity. Applause for his actors and especially to the director who knew how to put them in standing in front of the Viewer.

Sheet técnica:
país: Israel.
Año: 2006.
Duración: 118 minutes.
Director: Oded Davidoff.
Reparto: Bar Belfer, Yonatan Bar - Or, Yuval Mendelson, Rinat Matatov and Tzahi Grad.
Sinopsis: A young given the task of delivering u000aa dog lost to their owners.

During the search, the animal takes him to his owner, a young singer-songwriter that coexists with strange characters.

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