The Dominican art of the 21st century

The transcendence of the Dominican art of the 21st century should be based on an analytic magic and a poetic category rich in opposition to the tenets of classicism and romanticism.

Must leave out of the table, the spectacle of the rigidity formal in exchange for symbols Exegetical. Is not a question of hypothesis but rather of the rigour of aesthetic approaches that overcome the coldness of the Academy.

Is the duty of committed national artists contribute best to the 21st century, brush alive anguish that manifests itself worldwide, no point continue creating works that are not responsive to this seizure.

The role of artists in the 21st century
is clear that different Visual processes in the early decades of the 21st century have their projections on the basis of experimentation and conceptual subjectivity; from this mental state and aesthetic experience, codes and styles will continue to u000ahaving an analogous transparency with Expressionism, impressionism, abstraction and figuration, elements considered modern and post-vanguardistas, but combined with digital technology and research scientific.

Undeniably, to have passed more than a hundred years, still, Dominican art contains many dark areas outside, allowing you to not impose strong subjective factors and establish a theoretical foundation, academic structural sensations, so that the artist puts his art in the category of critical bias creation.

Is not that he explained the way of doing this but subvert it in ideas and concepts of the visual field beyond.

So many Dominican artists, who will cover several decades of the 21st century, are obliged to leave behind the imitation of nature to face a globalized world where operating mode not only has a lot to do with u000athe cognitive but also with the technology.

This will be a pictorial trade marked by associative factors where own photography, through this technology, will compete with the work plastic.

What is questioned is if a photograph by professional that is will have the same value in cash in a table, and if we will get to see auctioning in the international markets pictures next to paintings.

Input
of which we are aware is that something new will occur to the artist who lives in the 21st century for not repeating. We can not describe what that aesthetic experience; Yes we clear is that both the artist and the installer or artistic photographer not may deviate a perceptive and the corresponding mental processes in order to achieve an art of commercial value and historic. legacy

As we know the art is composed not only of impulses, feelings and feelings the u000aart is not composed nor total isomorphism; its nature focuses on the skills of the artist in the field of theory, academically and in their vision with regard to the world. Art helps define metaphysical, philosophical, poetic, psychological and sociological, categories that serve to illustrate most exciting stimuli of creating pictorial.

Content human
If we talk about art, we are referring to the aesthetic concept, and as we know, there is no art without human content; therefore, in the era of the eighties of the last century, Professor in the philosophical Sciences, Dr. Víctor Ivanov, wrote what follows: "aesthetics is not, nor ever has been, a science...

Aesthetics is like a giraldilla that follows the winds of the philosophy, culture and scientific theories, and it already becomes metaphysical, already empirical, and normative or descriptive; the aesthetic art core looks good from the point of view of the receiver object; or u000athe beauty is considered only as a warning for the beautiful, or that this art is seen as the natural beauty of second order.

The history of aesthetics can be called "history of attempts to avoid contradictions between the relativity of judgment and the feeling, on the one hand, and the objectivity of science, on the other;" attempts to convert the imperceptible trial material and sensations in the solid mass of an objective aesthetic system. "And the summary of all of these attempts is one only: failure".

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Art DIGITAL photography vs. painting
digital design that serves both for imprinting on canvas as a work of art, deserves great attention by its connection with science and technology. Even though it lacks an activity less elaborate than the achievement of a box, for many artists is a captivating imagination, because it highlights an innovative concept to a process of artistic creation that u000aIt is outdated.

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